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The Double

- Identity and Difference in Art since 1900
Af: James Meyer Engelsk Hardback

The Double

- Identity and Difference in Art since 1900
Af: James Meyer Engelsk Hardback
Tjek vores konkurrenters priser
A groundbreaking examination of the “double” in modern and contemporary artFrom ancient mythology to contemporary cinema, the motif of the double—which repeats, duplicates, mirrors, inverts, splits, and reenacts—has captured our imaginations, both attracting and repelling us. The Double examines this essential concept through the lens of art, from modernism to contemporary practice—from the paired paintings of Henri Matisse and Arshile Gorky, to the double line works of Piet Mondrian and Marlow Moss, to Eva Hesse’s One More Than One, Lorna Simpson’s Two Necklines, Roni Horn’s Pair Objects, and Rashid Johnson’s The New Negro Escapist Social and Athletic Club (Emmett). James Meyer’s survey text explores four modes of doubling: Seeing Double through repetition; Reversal, the inversion or mirroring of an image or form; Dilemma, the staging of an absurd or impossible choice; and the Divided and Doubled Self (split and shadowed selves, personae, fraternal doubles, and pairs). Thought-provoking essays by leading scholars Julia Bryan-Wilson, Tom Gunning, W.J.T. Mitchell, Hillel Schwartz, Shawn Michelle Smith, and Andrew Solomon discuss a host of topics, including the ontology and ethics of the double, the double and psychoanalysis, double consciousness, the doppelgänger in silent cinema, and the queer double. Richly illustrated throughout, The Double is a multifaceted exploration of an enduring theme in art, from painting and sculpture to photography, film, video, and performance. Published in association with the National Gallery of Art, Washington, DCExhibition ScheduleNational Gallery of Art, Washington, DCJuly 10–October 31, 2022
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A groundbreaking examination of the “double” in modern and contemporary artFrom ancient mythology to contemporary cinema, the motif of the double—which repeats, duplicates, mirrors, inverts, splits, and reenacts—has captured our imaginations, both attracting and repelling us. The Double examines this essential concept through the lens of art, from modernism to contemporary practice—from the paired paintings of Henri Matisse and Arshile Gorky, to the double line works of Piet Mondrian and Marlow Moss, to Eva Hesse’s One More Than One, Lorna Simpson’s Two Necklines, Roni Horn’s Pair Objects, and Rashid Johnson’s The New Negro Escapist Social and Athletic Club (Emmett). James Meyer’s survey text explores four modes of doubling: Seeing Double through repetition; Reversal, the inversion or mirroring of an image or form; Dilemma, the staging of an absurd or impossible choice; and the Divided and Doubled Self (split and shadowed selves, personae, fraternal doubles, and pairs). Thought-provoking essays by leading scholars Julia Bryan-Wilson, Tom Gunning, W.J.T. Mitchell, Hillel Schwartz, Shawn Michelle Smith, and Andrew Solomon discuss a host of topics, including the ontology and ethics of the double, the double and psychoanalysis, double consciousness, the doppelgänger in silent cinema, and the queer double. Richly illustrated throughout, The Double is a multifaceted exploration of an enduring theme in art, from painting and sculpture to photography, film, video, and performance. Published in association with the National Gallery of Art, Washington, DCExhibition ScheduleNational Gallery of Art, Washington, DCJuly 10–October 31, 2022
Produktdetaljer
Sprog: Engelsk
Sider: 288
ISBN-13: 9780691236179
Indbinding: Hardback
Udgave:
ISBN-10: 0691236178
Udg. Dato: 24 maj 2022
Længde: 31mm
Bredde: 480mm
Højde: 211mm
Forlag: Princeton University Press
Oplagsdato: 24 maj 2022
Forfatter(e): James Meyer
Forfatter(e) James Meyer


Kategori Samfundsfaglige studier: homofili


ISBN-13 9780691236179


Sprog Engelsk


Indbinding Hardback


Sider 288


Udgave


Længde 31mm


Bredde 480mm


Højde 211mm


Udg. Dato 24 maj 2022


Oplagsdato 24 maj 2022


Forlag Princeton University Press

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