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Acting Egyptian

- Theater, Identity, and Political Culture in Cairo, 1869–1930
Af: Carmen M. K. Gitre Engelsk Hardback

Acting Egyptian

- Theater, Identity, and Political Culture in Cairo, 1869–1930
Af: Carmen M. K. Gitre Engelsk Hardback
Tjek vores konkurrenters priser

In the late nineteenth and early twentieth centuries, during the “protectorate” period of British occupation in Egypt—theaters and other performance sites were vital for imagining, mirroring, debating, and shaping competing conceptions of modern Egyptian identity. Central figures in this diverse spectrum were the effendis, an emerging class of urban, male, anticolonial professionals whose role would ultimately become dominant. Acting Egyptian argues that performance themes, spaces, actors, and audiences allowed pluralism to take center stage while simultaneously consolidating effendi voices.

From the world premiere of Verdi’s Aida at Cairo’s Khedivial Opera House in 1871 to the theatrical rhetoric surrounding the revolution of 1919, which gave women an opportunity to link their visibility to the well-being of the nation, Acting Egyptian examines the ways in which elites and effendis, men and women, used newly built performance spaces to debate morality, politics, and the implications of modernity. Drawing on scripts, playbills, ads, and numerous other sources, the book brings to life provocative debates that fostered a new image of national culture and performances that echoed the events of urban life in the struggle for independence.

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In the late nineteenth and early twentieth centuries, during the “protectorate” period of British occupation in Egypt—theaters and other performance sites were vital for imagining, mirroring, debating, and shaping competing conceptions of modern Egyptian identity. Central figures in this diverse spectrum were the effendis, an emerging class of urban, male, anticolonial professionals whose role would ultimately become dominant. Acting Egyptian argues that performance themes, spaces, actors, and audiences allowed pluralism to take center stage while simultaneously consolidating effendi voices.

From the world premiere of Verdi’s Aida at Cairo’s Khedivial Opera House in 1871 to the theatrical rhetoric surrounding the revolution of 1919, which gave women an opportunity to link their visibility to the well-being of the nation, Acting Egyptian examines the ways in which elites and effendis, men and women, used newly built performance spaces to debate morality, politics, and the implications of modernity. Drawing on scripts, playbills, ads, and numerous other sources, the book brings to life provocative debates that fostered a new image of national culture and performances that echoed the events of urban life in the struggle for independence.

Produktdetaljer
Sprog: Engelsk
Sider: 192
ISBN-13: 9781477319185
Indbinding: Hardback
Udgave:
ISBN-10: 1477319182
Kategori: Egypt
Udg. Dato: 12 nov 2019
Længde: 24mm
Bredde: 235mm
Højde: 161mm
Forlag: University of Texas Press
Oplagsdato: 12 nov 2019
Forfatter(e): Carmen M. K. Gitre
Forfatter(e) Carmen M. K. Gitre


Kategori Egypt


ISBN-13 9781477319185


Sprog Engelsk


Indbinding Hardback


Sider 192


Udgave


Længde 24mm


Bredde 235mm


Højde 161mm


Udg. Dato 12 nov 2019


Oplagsdato 12 nov 2019


Forlag University of Texas Press

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