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Ancient Near Eastern Iconography and the Bible

- Erwin Panofsky and Othmar Keel in Dialogue
Engelsk Hardback

Ancient Near Eastern Iconography and the Bible

- Erwin Panofsky and Othmar Keel in Dialogue
Engelsk Hardback
Tjek vores konkurrenters priser

Examines the dilemma of whether ancient Near Eastern images – while providing unique aspects of the world-views of the cultures from which the Bible arose – can be interpreted in a way that traceably relates them to the biblical text. To avoid the danger of using images merely as illustrations for concepts found in the Bible, one first needs to behold the image with its own right to been seen. The essays within this volume describe the methods developed by Othmar Keel for bringing imagery into a dialogue with texts from the ancient Orient and their own interpretation, including previously unpublished material from Keel.

The contributions begin with an overview of the scholarly work of Keel and the development of his aims and methods, including a revision of an article dealing with semiology in the interpretation of art. The book proceeds to address the research history of iconology in art history, presenting the methodology of Erwin Panofsky and one of his influential predecessors, Charles Clermont-Ganneau, in contrast with Keel’s three methodological steps leading from iconographic analysis to iconology. Contributors then present two case studies of how Keel’s method can be applied to interpret Egyptian and Mesopotamian images, allowing insights into the worldview of an ancient culture and the aim of iconology. The book concludes with a report about how iconographic analysis and iconology is taught on University level.

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Examines the dilemma of whether ancient Near Eastern images – while providing unique aspects of the world-views of the cultures from which the Bible arose – can be interpreted in a way that traceably relates them to the biblical text. To avoid the danger of using images merely as illustrations for concepts found in the Bible, one first needs to behold the image with its own right to been seen. The essays within this volume describe the methods developed by Othmar Keel for bringing imagery into a dialogue with texts from the ancient Orient and their own interpretation, including previously unpublished material from Keel.

The contributions begin with an overview of the scholarly work of Keel and the development of his aims and methods, including a revision of an article dealing with semiology in the interpretation of art. The book proceeds to address the research history of iconology in art history, presenting the methodology of Erwin Panofsky and one of his influential predecessors, Charles Clermont-Ganneau, in contrast with Keel’s three methodological steps leading from iconographic analysis to iconology. Contributors then present two case studies of how Keel’s method can be applied to interpret Egyptian and Mesopotamian images, allowing insights into the worldview of an ancient culture and the aim of iconology. The book concludes with a report about how iconographic analysis and iconology is taught on University level.

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Produktdetaljer
Sprog: Engelsk
Sider: 344
ISBN-13: 9780567691835
Indbinding: Hardback
Udgave:
ISBN-10: 0567691837
Kategori: Det gamle testamente
Udg. Dato: 28 nov 2024
Længde: 26mm
Bredde: 158mm
Højde: 236mm
Forlag: Bloomsbury Publishing PLC
Oplagsdato: 28 nov 2024
Forfatter(e):
Forfatter(e)

Kategori Det gamle testamente

ISBN-13 9780567691835

Sprog Engelsk

Indbinding Hardback

Sider 344

Udgave

Længde 26mm

Bredde 158mm

Højde 236mm

Udg. Dato 28 nov 2024

Oplagsdato 28 nov 2024

Forlag Bloomsbury Publishing PLC

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