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Bakhtin and Theatre

- Dialogues with Stanislavski, Meyerhold and Grotowski
Af: Dick Mccaw Engelsk Paperback

Bakhtin and Theatre

- Dialogues with Stanislavski, Meyerhold and Grotowski
Af: Dick Mccaw Engelsk Paperback
Tjek vores konkurrenters priser

What did Bakhtin think about the theatre? That it was outdated? That is ‘stopped being a serious genre’ after Shakespeare? Could a thinker to whose work ideas of theatricality, visuality, and embodied activity were so central really have nothing to say about theatrical practice?

Bakhtin and Theatre is the first book to explore the relation between Bakhtin’s ideas and the theatre practice of his time.　 In that time, Stanislavsky co-founded the Moscow Art Theatre in 1898 and continued to develop his ideas about theatre until his death in 1938. Stanislavsky’s pupil Meyerhold embraced the Russian Revolution and created some stunningly revolutionary productions in the 1920s, breaking with the realism of his former teacher. Less than twenty years after Stanislavsky’s death and Meyerhold’s assassination, a young student called Grotowski was studying in Moscow, soon to break the mould with his Poor Theatre. All three directors challenged the prevailing notion of theatre, drawing on, disagreeing with and challenging each other’s ideas. Bakhtin’s early writings about action, character and authorship provide a revealing framework for understanding this dialogue between these three masters of Twentieth Century theatre.

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What did Bakhtin think about the theatre? That it was outdated? That is ‘stopped being a serious genre’ after Shakespeare? Could a thinker to whose work ideas of theatricality, visuality, and embodied activity were so central really have nothing to say about theatrical practice?

Bakhtin and Theatre is the first book to explore the relation between Bakhtin’s ideas and the theatre practice of his time.　 In that time, Stanislavsky co-founded the Moscow Art Theatre in 1898 and continued to develop his ideas about theatre until his death in 1938. Stanislavsky’s pupil Meyerhold embraced the Russian Revolution and created some stunningly revolutionary productions in the 1920s, breaking with the realism of his former teacher. Less than twenty years after Stanislavsky’s death and Meyerhold’s assassination, a young student called Grotowski was studying in Moscow, soon to break the mould with his Poor Theatre. All three directors challenged the prevailing notion of theatre, drawing on, disagreeing with and challenging each other’s ideas. Bakhtin’s early writings about action, character and authorship provide a revealing framework for understanding this dialogue between these three masters of Twentieth Century theatre.

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Se mere i:
Produktdetaljer
Sprog: Engelsk
Sider: 248
ISBN-13: 9781138891456
Indbinding: Paperback
Udgave:
ISBN-10: 1138891452
Kategori: Performancekunst
Udg. Dato: 18 aug 2015
Længde: 24mm
Bredde: 235mm
Højde: 159mm
Forlag: Taylor & Francis Ltd
Oplagsdato: 18 aug 2015
Forfatter(e): Dick Mccaw
Forfatter(e) Dick Mccaw

Kategori Performancekunst

ISBN-13 9781138891456

Sprog Engelsk

Indbinding Paperback

Sider 248

Udgave

Længde 24mm

Bredde 235mm

Højde 159mm

Udg. Dato 18 aug 2015

Oplagsdato 18 aug 2015

Forlag Taylor & Francis Ltd

Kategori sammenhænge