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Biennial Boom

- Making Contemporary Art Global
Af: Paloma Checa-Gismero Engelsk Paperback

Biennial Boom

- Making Contemporary Art Global
Af: Paloma Checa-Gismero Engelsk Paperback
Tjek vores konkurrenters priser
In Biennial Boom, Paloma Checa-Gismero traces an archeology of contemporary art biennials to uncover the processes that prompted these exhibitions to become the global art world’s defining events at the end of the twentieth century. Returning to the early post-Cold War years, Checa-Gismero examines the early iterations of three well-known biennials at the borders of North Atlantic liberalism: the Bienal de La Habana, inSITE, and Manifesta. She draws on archival and oral history fieldwork in Cuba, Mexico, the US/Mexico borderlands, and the Netherlands, showing how these biennials reflected a post-Cold War optimism for a pacified world by which artistic and knowledge production would help mend social, political, and cultural divisions. Checa-Gismero argues that, in reflecting this optimism, biennials facilitated the conversion of subaltern aesthetic genealogies into forms that were legible to a nascent cosmopolitan global elite—all under the pretense of cultural exchange. By outlining how early biennials set the basis for what is now recognized as “global contemporary art,” Checa-Gismero intervenes in previous accounts of the contemporary art world in order to better understand how it became the exclusionary, rarified institution of today.
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In Biennial Boom, Paloma Checa-Gismero traces an archeology of contemporary art biennials to uncover the processes that prompted these exhibitions to become the global art world’s defining events at the end of the twentieth century. Returning to the early post-Cold War years, Checa-Gismero examines the early iterations of three well-known biennials at the borders of North Atlantic liberalism: the Bienal de La Habana, inSITE, and Manifesta. She draws on archival and oral history fieldwork in Cuba, Mexico, the US/Mexico borderlands, and the Netherlands, showing how these biennials reflected a post-Cold War optimism for a pacified world by which artistic and knowledge production would help mend social, political, and cultural divisions. Checa-Gismero argues that, in reflecting this optimism, biennials facilitated the conversion of subaltern aesthetic genealogies into forms that were legible to a nascent cosmopolitan global elite—all under the pretense of cultural exchange. By outlining how early biennials set the basis for what is now recognized as “global contemporary art,” Checa-Gismero intervenes in previous accounts of the contemporary art world in order to better understand how it became the exclusionary, rarified institution of today.
Produktdetaljer
Sprog: Engelsk
Sider: 328
ISBN-13: 9781478030515
Indbinding: Paperback
Udgave:
ISBN-10: 1478030518
Kategori: Kunsthistorie
Udg. Dato: 6 aug 2024
Længde: 23mm
Bredde: 154mm
Højde: 227mm
Forlag: Duke University Press
Oplagsdato: 6 aug 2024
Forfatter(e): Paloma Checa-Gismero
Forfatter(e) Paloma Checa-Gismero


Kategori Kunsthistorie


ISBN-13 9781478030515


Sprog Engelsk


Indbinding Paperback


Sider 328


Udgave


Længde 23mm


Bredde 154mm


Højde 227mm


Udg. Dato 6 aug 2024


Oplagsdato 6 aug 2024


Forlag Duke University Press

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