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Classical Vertigo

- Mythic Shapes and Contemporary Influences in Hitchcock’s Film
Af: Mark William Padilla Engelsk Hardback

Classical Vertigo

- Mythic Shapes and Contemporary Influences in Hitchcock’s Film
Af: Mark William Padilla Engelsk Hardback
Tjek vores konkurrenters priser

Alfred Hitchcock’s Vertigo has dazzled and challenged audiences with its unique aesthetic design and startling plot devices since its release in 1958. In Classical Vertigo: Mythic Shapes and Contemporary Influences in Hitchcock’s Film, Mark William Padilla analyzes antecedents including: (1) the film’s source novel, D’entre les morts (Among the Dead), (2) the earlier symbolist novel, Rodenbach’s Bruges-la-morte, and (3) the first-draft screenplay of Maxwell Anderson, a prominent Broadway dramatist and Hollywood scenarist from the 1920s to the 1950s. The presence of Vertigo amid these texts reveals and clarifies how themes from Greco-Roman antiquity emerge in Hitchcock’s project. Padilla analyzes narrative figures such as Prometheus and Pandora, Persephone and Hades, and Pygmalion and Galatea, as well as themes like the dark plots of Greek tragedy, to reveal how Hitchcock used allusive form to construct an emotionally powerful experience with an often-minimalist script. This analysis demonstrates that Vertigo is a multifaceted work of intertextuality with artistic and cultural roots extending into antiquity itself.

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Alfred Hitchcock’s Vertigo has dazzled and challenged audiences with its unique aesthetic design and startling plot devices since its release in 1958. In Classical Vertigo: Mythic Shapes and Contemporary Influences in Hitchcock’s Film, Mark William Padilla analyzes antecedents including: (1) the film’s source novel, D’entre les morts (Among the Dead), (2) the earlier symbolist novel, Rodenbach’s Bruges-la-morte, and (3) the first-draft screenplay of Maxwell Anderson, a prominent Broadway dramatist and Hollywood scenarist from the 1920s to the 1950s. The presence of Vertigo amid these texts reveals and clarifies how themes from Greco-Roman antiquity emerge in Hitchcock’s project. Padilla analyzes narrative figures such as Prometheus and Pandora, Persephone and Hades, and Pygmalion and Galatea, as well as themes like the dark plots of Greek tragedy, to reveal how Hitchcock used allusive form to construct an emotionally powerful experience with an often-minimalist script. This analysis demonstrates that Vertigo is a multifaceted work of intertextuality with artistic and cultural roots extending into antiquity itself.

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Produktdetaljer
Sprog: Engelsk
Sider: 338
ISBN-13: 9781666915914
Indbinding: Hardback
Udgave:
ISBN-10: 1666915912
Kategori: Elektronisk kunst, holografi og videokunst
Udg. Dato: 1 apr 2024
Længde: 25mm
Bredde: 159mm
Højde: 237mm
Forlag: Lexington Books
Oplagsdato: 1 apr 2024
Forfatter(e): Mark William Padilla
Forfatter(e) Mark William Padilla

Kategori Elektronisk kunst, holografi og videokunst

ISBN-13 9781666915914

Sprog Engelsk

Indbinding Hardback

Sider 338

Udgave

Længde 25mm

Bredde 159mm

Højde 237mm

Udg. Dato 1 apr 2024

Oplagsdato 1 apr 2024

Forlag Lexington Books

Kategori sammenhænge