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  1. Bog
  2. Kunst: teknikker og motiver
  3. Kunsthistorie

Drawings Alan Glass

- Paris 1954-1962
Af: Kristoffer Noheden, Alejandro Jodorowsky, Pierre de Ligny Boudreau, Abigal Susik, Nadine M. Orenstein, Carlos de Laborde-Noguez Engelsk Hardback
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Alan Glass’s drawings from the 1950s are like swirls of smoke on the verge of assuming solid shape, like rock coming alive and metamorphosing, like plants and animals commingling, their branches and limbs, their eyes and tendrils seeking new paths. Utilising the newly invented ballpoint pen from 1954 to 1962, Glass used this modest instrument to create remarkably intricate and detailed drawings, using variations in pressure and density to conjure forth alternately lush and thick, light and crowded shapes with the appearance of inert matter coming alive. Among the several hundred drawings that Glass produced, there are some in which he used such an abundance of ink that the drawings almost take on the texture of paintings. Here, the flimsy paper is saturated to the degree of appearing soaked in the intense blues that have been a frequently recurring element of Glass’s art for almost 70 years. It was the ballpoint-pen drawings that led to Glass’s first solo exhibition, organised at Galerie Le Terrain Vague by André Breton and Benjamin Péret in January 1958.

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Alan Glass’s drawings from the 1950s are like swirls of smoke on the verge of assuming solid shape, like rock coming alive and metamorphosing, like plants and animals commingling, their branches and limbs, their eyes and tendrils seeking new paths. Utilising the newly invented ballpoint pen from 1954 to 1962, Glass used this modest instrument to create remarkably intricate and detailed drawings, using variations in pressure and density to conjure forth alternately lush and thick, light and crowded shapes with the appearance of inert matter coming alive. Among the several hundred drawings that Glass produced, there are some in which he used such an abundance of ink that the drawings almost take on the texture of paintings. Here, the flimsy paper is saturated to the degree of appearing soaked in the intense blues that have been a frequently recurring element of Glass’s art for almost 70 years. It was the ballpoint-pen drawings that led to Glass’s first solo exhibition, organised at Galerie Le Terrain Vague by André Breton and Benjamin Péret in January 1958.

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Produktdetaljer
Sprog: Engelsk
Sider: 392
ISBN-13: 9788412846621
Indbinding: Hardback
Udgave:
ISBN-10: 8412846621
Kategori: Kunsthistorie
Udg. Dato: 8 aug 2024
Længde: 37mm
Bredde: 341mm
Højde: 256mm
Forlag: Ediciones El Viso
Oplagsdato: 8 aug 2024
Forfatter(e): Kristoffer Noheden, Alejandro Jodorowsky, Pierre de Ligny Boudreau, Abigal Susik, Nadine M. Orenstein, Carlos de Laborde-Noguez
Forfatter(e) Kristoffer Noheden, Alejandro Jodorowsky, Pierre de Ligny Boudreau, Abigal Susik, Nadine M. Orenstein, Carlos de Laborde-Noguez

Kategori Kunsthistorie

ISBN-13 9788412846621

Sprog Engelsk

Indbinding Hardback

Sider 392

Udgave

Længde 37mm

Bredde 341mm

Højde 256mm

Udg. Dato 8 aug 2024

Oplagsdato 8 aug 2024

Forlag Ediciones El Viso

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