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  2. Fotografier: samlinger
  3. Fotografer

Helene Binet

Af: Martino Stierli, Marco Iuliano Engelsk Hardback

Helene Binet

Af: Martino Stierli, Marco Iuliano Engelsk Hardback
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Over a period of forty years, Hélène Binet has photographed both contemporary and historical architecture – this is the complete monograph of her work, with two extensive critical essays. Marco Iuliano details Hélène Binet’s background, from her childhood in the Italian fishing village of Sperlonga and in Rome, through her early ‘discovery’ of architectural photographer Lucien Hervé, to other significant influences, like the collaborations with Daniel Libeskind, John Hejduk and the connections at the Architectural Association (AA) in London where she met Zaha Hadid. The essay highlights in detail Binet’s approach to photography, her process and archive. Martino Stierli sets Binet’s work within the conceptual framework of architectural photography, discussing whether an architectural photograph is an inventory of a building or space, a translation into a two-dimensional image or, rather, an image in its own right; an artifact that loosely relates to the original object or phenomenon. Within this context, Stierli argues that Binet’s oeuvre seems to oscillate between two obsessions: a desire to translate spatial phenomena into the two-dimensional space of the image and a quest to articulate the modulation of light on a surface. The two essays are followed by a catalogue of Binet's work, which is framed within a series of her recurring themes emerged through dialogues between the authors and the photographer.
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Over a period of forty years, Hélène Binet has photographed both contemporary and historical architecture – this is the complete monograph of her work, with two extensive critical essays. Marco Iuliano details Hélène Binet’s background, from her childhood in the Italian fishing village of Sperlonga and in Rome, through her early ‘discovery’ of architectural photographer Lucien Hervé, to other significant influences, like the collaborations with Daniel Libeskind, John Hejduk and the connections at the Architectural Association (AA) in London where she met Zaha Hadid. The essay highlights in detail Binet’s approach to photography, her process and archive. Martino Stierli sets Binet’s work within the conceptual framework of architectural photography, discussing whether an architectural photograph is an inventory of a building or space, a translation into a two-dimensional image or, rather, an image in its own right; an artifact that loosely relates to the original object or phenomenon. Within this context, Stierli argues that Binet’s oeuvre seems to oscillate between two obsessions: a desire to translate spatial phenomena into the two-dimensional space of the image and a quest to articulate the modulation of light on a surface. The two essays are followed by a catalogue of Binet's work, which is framed within a series of her recurring themes emerged through dialogues between the authors and the photographer.
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Se mere i:
Produktdetaljer
Sprog: Engelsk
Sider: 160
ISBN-13: 9781848225947
Indbinding: Hardback
Udgave:
ISBN-10: 1848225946
Kategori: Fotografer
Udg. Dato: 18 mar 2024
Længde: 20mm
Bredde: 290mm
Højde: 246mm
Forlag: Lund Humphries Publishers Ltd
Oplagsdato: 18 mar 2024
Forfatter(e): Martino Stierli, Marco Iuliano
Forfatter(e) Martino Stierli, Marco Iuliano

Kategori Fotografer

ISBN-13 9781848225947

Sprog Engelsk

Indbinding Hardback

Sider 160

Udgave

Længde 20mm

Bredde 290mm

Højde 246mm

Udg. Dato 18 mar 2024

Oplagsdato 18 mar 2024

Forlag Lund Humphries Publishers Ltd

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