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Screening the Operatic Stage

- Television and Beyond
Af: Christopher Morris Engelsk Paperback

Screening the Operatic Stage

- Television and Beyond
Af: Christopher Morris Engelsk Paperback
Tjek vores konkurrenters priser
An ambitious study of the ways opera has sought to ensure its popularity by keeping pace with changes in media technology. From the early days of television broadcasts to today’s live streams, opera houses have embraced technology as a way to reach new audiences. But how do these new forms of remediated opera extend, amplify, or undermine production values, and what does the audience gain or lose in the process? In Screening the Operatic Stage, Christopher Morris critically examines the cultural implications of opera’s engagement with screen media. Foregrounding the potential for a playful exchange and self-awareness between stage and screen, Morris uses the conceptual tools of media theory to understand the historical and contemporary screen cultures that have transmitted the opera house into living rooms, onto desktops and portable devices, and across networks of movie theaters. If these screen cultures reveal how inherently “technological” opera is as a medium, they also highlight a deep suspicion among opera producers and audiences toward the intervention of media technology. Ultimately, Screening the Operatic Stage shows how the conventions of televisual representation employed in opera have masked the mediating effects of technology in the name of fidelity to live performance.
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An ambitious study of the ways opera has sought to ensure its popularity by keeping pace with changes in media technology. From the early days of television broadcasts to today’s live streams, opera houses have embraced technology as a way to reach new audiences. But how do these new forms of remediated opera extend, amplify, or undermine production values, and what does the audience gain or lose in the process? In Screening the Operatic Stage, Christopher Morris critically examines the cultural implications of opera’s engagement with screen media. Foregrounding the potential for a playful exchange and self-awareness between stage and screen, Morris uses the conceptual tools of media theory to understand the historical and contemporary screen cultures that have transmitted the opera house into living rooms, onto desktops and portable devices, and across networks of movie theaters. If these screen cultures reveal how inherently “technological” opera is as a medium, they also highlight a deep suspicion among opera producers and audiences toward the intervention of media technology. Ultimately, Screening the Operatic Stage shows how the conventions of televisual representation employed in opera have masked the mediating effects of technology in the name of fidelity to live performance.
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Produktdetaljer
Sprog: Engelsk
Sider: 288
ISBN-13: 9780226831299
Indbinding: Paperback
Udgave:
ISBN-10: 0226831299
Kategori: Opera
Udg. Dato: 29 mar 2024
Længde: 20mm
Bredde: 153mm
Højde: 228mm
Forlag: The University of Chicago Press
Oplagsdato: 29 mar 2024
Forfatter(e): Christopher Morris
Forfatter(e) Christopher Morris

Kategori Opera

ISBN-13 9780226831299

Sprog Engelsk

Indbinding Paperback

Sider 288

Udgave

Længde 20mm

Bredde 153mm

Højde 228mm

Udg. Dato 29 mar 2024

Oplagsdato 29 mar 2024

Forlag The University of Chicago Press

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