Store besparelser
Hurtig levering
Gemte
Log ind
0
Kurv
Kurv

Screenprints (Victoria & Albert Museum)

Af: Gill Saunders Engelsk Hardback

Screenprints (Victoria & Albert Museum)

Af: Gill Saunders Engelsk Hardback
Tjek vores konkurrenters priser
A celebration of the rich 20th- and 21st-century tradition of screenprinting as a means of artistic expression, from its commercial origins in 1920s America to the limited-edition screenprints of the post-war period and today, by artists such as Andy Warhol, Bridget Riley and Damien Hirst. Screenprints: A History, the first title in the V&A's new series on the history and practice of printmaking, is a celebration of the fine-art applications of this versatile medium, from the commercial origins of the screenprinting process in 1920s America, its pivotal role in 1960s Pop and Op Art among artists such as Andy Warhol and Bridget Riley, through to its adoption by Damien Hirst and the YBAs of the 1990s, and its enduring presence in contemporary art. This beautifully designed, strikingly illustrated introduction will appeal to art lovers and practising artists everywhere. The origins of the screenprinting process are introduced through early artistic precursors, such as the stencil and pochoir printing in the making of Henri Matisse’s Jazz, and other artists’ books. Screenprinting became one of the most important techniques in the rise of artists’ limited-edition fine art prints from the 1960s onwards, seen here in the work of notable figures such as Roy Lichtenstein and Eduardo Paolozzi, and contemporary artists such as Damien Hirst, who have variously engaged with the medium’s commercial origins and, conversely, its capacity for a hand-made aesthetic. Special focus is given to lesser-known names who pioneered the use of the screenprint in fine art in the UK, the USA and Europe, including Francis Carr and Ben Shahn, while tracing its global spread through Africa, the Caribbean and Australasia. An illustrated, step-by-step guide to the practical process further enriches this multifaceted account. The democratic medium has further lent itself to spontaneous graphic protest, notably in the Atelier Populaire posters made in Paris in 1968, featured here and embodying screenprinting’s unique qualities, rich colours and graphic impact.
Tjek vores konkurrenters priser
Normalpris
kr 383
Fragt: 39 kr
6 - 8 hverdage
20 kr
Pakkegebyr
God 4 anmeldelser på
Tjek vores konkurrenters priser
A celebration of the rich 20th- and 21st-century tradition of screenprinting as a means of artistic expression, from its commercial origins in 1920s America to the limited-edition screenprints of the post-war period and today, by artists such as Andy Warhol, Bridget Riley and Damien Hirst. Screenprints: A History, the first title in the V&A's new series on the history and practice of printmaking, is a celebration of the fine-art applications of this versatile medium, from the commercial origins of the screenprinting process in 1920s America, its pivotal role in 1960s Pop and Op Art among artists such as Andy Warhol and Bridget Riley, through to its adoption by Damien Hirst and the YBAs of the 1990s, and its enduring presence in contemporary art. This beautifully designed, strikingly illustrated introduction will appeal to art lovers and practising artists everywhere. The origins of the screenprinting process are introduced through early artistic precursors, such as the stencil and pochoir printing in the making of Henri Matisse’s Jazz, and other artists’ books. Screenprinting became one of the most important techniques in the rise of artists’ limited-edition fine art prints from the 1960s onwards, seen here in the work of notable figures such as Roy Lichtenstein and Eduardo Paolozzi, and contemporary artists such as Damien Hirst, who have variously engaged with the medium’s commercial origins and, conversely, its capacity for a hand-made aesthetic. Special focus is given to lesser-known names who pioneered the use of the screenprint in fine art in the UK, the USA and Europe, including Francis Carr and Ben Shahn, while tracing its global spread through Africa, the Caribbean and Australasia. An illustrated, step-by-step guide to the practical process further enriches this multifaceted account. The democratic medium has further lent itself to spontaneous graphic protest, notably in the Atelier Populaire posters made in Paris in 1968, featured here and embodying screenprinting’s unique qualities, rich colours and graphic impact.
Produktdetaljer
Sprog: Engelsk
Sider: 272
ISBN-13: 9780500481011
Indbinding: Hardback
Udgave:
ISBN-10: 0500481016
Udg. Dato: 27 mar 2025
Længde: 31mm
Bredde: 210mm
Højde: 267mm
Forlag: Thames & Hudson Ltd
Oplagsdato: 27 mar 2025
Forfatter(e): Gill Saunders
Forfatter(e) Gill Saunders


Kategori Grafik og grafiske teknikker


ISBN-13 9780500481011


Sprog Engelsk


Indbinding Hardback


Sider 272


Udgave


Længde 31mm


Bredde 210mm


Højde 267mm


Udg. Dato 27 mar 2025


Oplagsdato 27 mar 2025


Forlag Thames & Hudson Ltd

Vi anbefaler også
Kategori sammenhænge