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  3. Medievidenskab: TV og samfund

Seeing by Electricity

- The Emergence of Television, 1878-1939
Af: Doron Galili Engelsk Hardback

Seeing by Electricity

- The Emergence of Television, 1878-1939
Af: Doron Galili Engelsk Hardback
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Already in the late nineteenth century, electricians, physicists, and telegraph technicians dreamed of inventing televisual communication apparatuses that would “see” by electricity as a means of extending human perception. In Seeing by Electricity Doron Galili traces the early history of television, from fantastical image transmission devices initially imagined in the 1870s such as the Telectroscope, the Phantoscope, and the Distant Seer to the emergence of broadcast television in the 1930s. Galili examines how televisual technologies were understood in relation to film at different cultural moments—whether as a perfection of cinema, a threat to the Hollywood industry, or an alternative medium for avant-garde experimentation. Highlighting points of overlap and divergence in the histories of television and cinema, Galili demonstrates that the intermedial relationship between the two media did not start with their economic and institutional rivalry of the late 1940s but rather goes back to their very origins. In so doing, he brings film studies and television studies together in ways that advance contemporary debates in media theory.
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Already in the late nineteenth century, electricians, physicists, and telegraph technicians dreamed of inventing televisual communication apparatuses that would “see” by electricity as a means of extending human perception. In Seeing by Electricity Doron Galili traces the early history of television, from fantastical image transmission devices initially imagined in the 1870s such as the Telectroscope, the Phantoscope, and the Distant Seer to the emergence of broadcast television in the 1930s. Galili examines how televisual technologies were understood in relation to film at different cultural moments—whether as a perfection of cinema, a threat to the Hollywood industry, or an alternative medium for avant-garde experimentation. Highlighting points of overlap and divergence in the histories of television and cinema, Galili demonstrates that the intermedial relationship between the two media did not start with their economic and institutional rivalry of the late 1940s but rather goes back to their very origins. In so doing, he brings film studies and television studies together in ways that advance contemporary debates in media theory.
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Se mere i:
Produktdetaljer
Sprog: Engelsk
Sider: 264
ISBN-13: 9781478007722
Indbinding: Hardback
Udgave:
ISBN-10: 1478007729
Kategori: Medievidenskab: TV og samfund
Udg. Dato: 28 feb 2020
Længde: 0mm
Bredde: 152mm
Højde: 229mm
Forlag: Duke University Press
Oplagsdato: 28 feb 2020
Forfatter(e): Doron Galili
Forfatter(e) Doron Galili

Kategori Medievidenskab: TV og samfund

ISBN-13 9781478007722

Sprog Engelsk

Indbinding Hardback

Sider 264

Udgave

Længde 0mm

Bredde 152mm

Højde 229mm

Udg. Dato 28 feb 2020

Oplagsdato 28 feb 2020

Forlag Duke University Press

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