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  3. Musikteknikker & undervisning

The Imagination of Experiences

- Musical Invention, Collaboration, and the Making of Meanings
Af: Alan Taylor Engelsk Paperback

The Imagination of Experiences

- Musical Invention, Collaboration, and the Making of Meanings
Af: Alan Taylor Engelsk Paperback
Tjek vores konkurrenters priser

Aimed at lay, student, and academic readers alike, this book concerns the imagination and, specifically, imagination in music. It opens with a discussion of the invalidity of the idea of the creative genius and the connected view that ideas originate just in the individual mind. An alternative view of the imaginative process is then presented, that ideas spring from a subconscious dialogue activated by engagement in the world around. Ideas are therefore never just of our own making. This view is supported by evidence from many studies and corresponds with descriptions by artists of their experience of imagining. The third subject is how imaginations can be shared when musicians work with other artists, and the way the constraints imposed by trying to share subconscious imagining result in clearly distinct forms of joint working. The final chapter covers the use of the musical imagination in making meanings from music. The evidence is that music does not communicate meanings directly, and so composers or performers cannot be looked to as authorities on its meaning. Instead, music is commonly heard as analogous to human experience, and listeners who perceive such analogies may then imagine their own meanings from the music.

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Aimed at lay, student, and academic readers alike, this book concerns the imagination and, specifically, imagination in music. It opens with a discussion of the invalidity of the idea of the creative genius and the connected view that ideas originate just in the individual mind. An alternative view of the imaginative process is then presented, that ideas spring from a subconscious dialogue activated by engagement in the world around. Ideas are therefore never just of our own making. This view is supported by evidence from many studies and corresponds with descriptions by artists of their experience of imagining. The third subject is how imaginations can be shared when musicians work with other artists, and the way the constraints imposed by trying to share subconscious imagining result in clearly distinct forms of joint working. The final chapter covers the use of the musical imagination in making meanings from music. The evidence is that music does not communicate meanings directly, and so composers or performers cannot be looked to as authorities on its meaning. Instead, music is commonly heard as analogous to human experience, and listeners who perceive such analogies may then imagine their own meanings from the music.

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Se mere i:
Produktdetaljer
Sprog: Engelsk
Sider: 114
ISBN-13: 9780367569297
Indbinding: Paperback
Udgave:
ISBN-10: 0367569299
Kategori: Musikteknikker & undervisning
Udg. Dato: 29 aug 2022
Længde: 10mm
Bredde: 216mm
Højde: 139mm
Forlag: Taylor & Francis Ltd
Oplagsdato: 29 aug 2022
Forfatter(e): Alan Taylor
Forfatter(e) Alan Taylor

Kategori Musikteknikker & undervisning

ISBN-13 9780367569297

Sprog Engelsk

Indbinding Paperback

Sider 114

Udgave

Længde 10mm

Bredde 216mm

Højde 139mm

Udg. Dato 29 aug 2022

Oplagsdato 29 aug 2022

Forlag Taylor & Francis Ltd

Kategori sammenhænge