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  2. Kunst: teknikker og motiver
  3. Kunsthistorie

The Salon of 1846

Af: Charles Baudelaire, Michael Fried Engelsk Paperback

The Salon of 1846

Af: Charles Baudelaire, Michael Fried Engelsk Paperback
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In his introduction to Charles Baudelaire’s Salon of 1846, the renowned art historian Michael Fried presents a new take on the French poet and critic’s ideas on art, criticism, romanticism, and the paintings of Delacroix.

Charles Baudelaire, considered a father of modern poetry, wrote some of the most daring and influential prose of the nineteenth century. Prior to publishing the international bestseller Les Fleurs du mal (1857), he was already notable as a forthright and witty critic of art and literature. Captivated by the Salons in Paris, Baudelaire took to writing to express his theories on modern art and art philosophy. 
 
The Salon of 1846 expands upon the tenets of romanticism as Baudelaire methodically takes his reader through paintings by Delacroix and Ingres, illuminating his belief that the pursuit of the ideal must be paramount in artistic expression. Here we also see Baudelaire caught in a fundamental struggle with the urban commodity of capitalism developing in Paris at that time. Baudelaire’s text proves to be a useful lens for understanding art criticism in mid-nineteenth-century France, as well as the changing opinions regarding the essential nature of romanticism and the artist as creative genius. 
 
Acclaimed art historian and art critic Michael Fried’s introduction offers a new reading of Baudelaire’s seminal text and highlights the importance of his writing and its relevance to today’s audience.
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In his introduction to Charles Baudelaire’s Salon of 1846, the renowned art historian Michael Fried presents a new take on the French poet and critic’s ideas on art, criticism, romanticism, and the paintings of Delacroix.

Charles Baudelaire, considered a father of modern poetry, wrote some of the most daring and influential prose of the nineteenth century. Prior to publishing the international bestseller Les Fleurs du mal (1857), he was already notable as a forthright and witty critic of art and literature. Captivated by the Salons in Paris, Baudelaire took to writing to express his theories on modern art and art philosophy. 
 
The Salon of 1846 expands upon the tenets of romanticism as Baudelaire methodically takes his reader through paintings by Delacroix and Ingres, illuminating his belief that the pursuit of the ideal must be paramount in artistic expression. Here we also see Baudelaire caught in a fundamental struggle with the urban commodity of capitalism developing in Paris at that time. Baudelaire’s text proves to be a useful lens for understanding art criticism in mid-nineteenth-century France, as well as the changing opinions regarding the essential nature of romanticism and the artist as creative genius. 
 
Acclaimed art historian and art critic Michael Fried’s introduction offers a new reading of Baudelaire’s seminal text and highlights the importance of his writing and its relevance to today’s audience.
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Produktdetaljer
Sprog: Engelsk
Sider: 172
ISBN-13: 9781644230534
Indbinding: Paperback
Udgave:
ISBN-10: 1644230534
Kategori: Kunsthistorie
Udg. Dato: 20 maj 2021
Længde: 18mm
Bredde: 175mm
Højde: 107mm
Forlag: David Zwirner
Oplagsdato: 20 maj 2021
Forfatter(e): Charles Baudelaire, Michael Fried
Forfatter(e) Charles Baudelaire, Michael Fried

Kategori Kunsthistorie

ISBN-13 9781644230534

Sprog Engelsk

Indbinding Paperback

Sider 172

Udgave

Længde 18mm

Bredde 175mm

Højde 107mm

Udg. Dato 20 maj 2021

Oplagsdato 20 maj 2021

Forlag David Zwirner

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