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Affectual Erasure

- Representations of Indigenous Peoples in Argentine Cinema
Af: Cynthia Margarita Tompkins Engelsk Hardback

Affectual Erasure

- Representations of Indigenous Peoples in Argentine Cinema
Af: Cynthia Margarita Tompkins Engelsk Hardback
Tjek vores konkurrenters priser
Comprehensive examination of how Indigenous peoples have been represented in Argentine film. Affectual Erasure examines how Argentine cinema has represented Indigenous peoples throughout a period spanning roughly a century. Cynthia Margarita Tompkins interrelates her discussion of films with the ethnographic context of the Indigenous peoples represented and an analysis of the affective dimensions at play. These emotions underscore the inherent violence of generic conventions, as well as the continued political violence preventing Indigenous peoples from access to their ancestral lands and cultural mores. Tompkins explores a broad range of movies beginning in the silent period and includes both feature films and documentaries, underscored by archival and contemporary film stills. She traces the initial erotic projection, moving through melodrama to the conventions of the Western, into the 1960s focus on decolonization, superseded by allegorical renditions and the promise of self-expression in late twentieth-century documentaries. Each section includes an introduction to the sociohistorical events of the period and their impact on film production. Analyzed chronologically, the films evidence different stages in the projection of the hegemonic Argentine imaginary, which fails to envision the daily life of Indigenous peoples prior to conquest or in colonial times-and remains in denial of their existence in the present.
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Comprehensive examination of how Indigenous peoples have been represented in Argentine film. Affectual Erasure examines how Argentine cinema has represented Indigenous peoples throughout a period spanning roughly a century. Cynthia Margarita Tompkins interrelates her discussion of films with the ethnographic context of the Indigenous peoples represented and an analysis of the affective dimensions at play. These emotions underscore the inherent violence of generic conventions, as well as the continued political violence preventing Indigenous peoples from access to their ancestral lands and cultural mores. Tompkins explores a broad range of movies beginning in the silent period and includes both feature films and documentaries, underscored by archival and contemporary film stills. She traces the initial erotic projection, moving through melodrama to the conventions of the Western, into the 1960s focus on decolonization, superseded by allegorical renditions and the promise of self-expression in late twentieth-century documentaries. Each section includes an introduction to the sociohistorical events of the period and their impact on film production. Analyzed chronologically, the films evidence different stages in the projection of the hegemonic Argentine imaginary, which fails to envision the daily life of Indigenous peoples prior to conquest or in colonial times-and remains in denial of their existence in the present.
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Produktdetaljer
Sprog: Engelsk
Sider: 398
ISBN-13: 9781438470979
Indbinding: Hardback
Udgave:
ISBN-10: 1438470975
Kategori: Oprindelige folk
Udg. Dato: 1 sep 2018
Længde: 20mm
Bredde: 236mm
Højde: 159mm
Forlag: State University of New York Press
Oplagsdato: 1 sep 2018
Forfatter(e): Cynthia Margarita Tompkins
Forfatter(e) Cynthia Margarita Tompkins

Kategori Oprindelige folk

ISBN-13 9781438470979

Sprog Engelsk

Indbinding Hardback

Sider 398

Udgave

Længde 20mm

Bredde 236mm

Højde 159mm

Udg. Dato 1 sep 2018

Oplagsdato 1 sep 2018

Forlag State University of New York Press

Kategori sammenhænge