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  3. Filmproduktion: teknik og tekniske discipliner

Anonymous Sounds

- Library Music and Screen Cultures in the 1960s and 1970s
Engelsk Hardback

Anonymous Sounds

- Library Music and Screen Cultures in the 1960s and 1970s
Engelsk Hardback
Tjek vores konkurrenters priser

This cross-disciplinary collection provides the first comprehensive study of library music practices in the 1960s and 1970s.

Library music was inexpensive, off-the-shelf music available to license for a small fee. It was widely used in television and film as a cheaper alternative to commissioned soundtracks. The book pays attention to the different individuals, groups, organisations and institutions involved in making library music, as well as to its transnational sites of production (from continental recording studios to regional cutting rooms). It addresses questions of distributed creativity, collective authorship, and agency.

Combining empirical and theoretical research, the book unveils the modus operandi of a highly secretive yet enduringly significant cultural industry. By drawing attention to the cultural ubiquity and intersectionality of library music, the collection also shifts emphasis from individual film and TV composers to the invisible community of music publishers, writers, and session musicians. It argues that the latter were collectively responsible for fashioning much of the sonic identity of 1960s and 1970s film and television. As well as providing a nuanced understanding of historical library music cultures, the collection shows how they continue to inform contemporary audiovisual cultures.

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This cross-disciplinary collection provides the first comprehensive study of library music practices in the 1960s and 1970s.

Library music was inexpensive, off-the-shelf music available to license for a small fee. It was widely used in television and film as a cheaper alternative to commissioned soundtracks. The book pays attention to the different individuals, groups, organisations and institutions involved in making library music, as well as to its transnational sites of production (from continental recording studios to regional cutting rooms). It addresses questions of distributed creativity, collective authorship, and agency.

Combining empirical and theoretical research, the book unveils the modus operandi of a highly secretive yet enduringly significant cultural industry. By drawing attention to the cultural ubiquity and intersectionality of library music, the collection also shifts emphasis from individual film and TV composers to the invisible community of music publishers, writers, and session musicians. It argues that the latter were collectively responsible for fashioning much of the sonic identity of 1960s and 1970s film and television. As well as providing a nuanced understanding of historical library music cultures, the collection shows how they continue to inform contemporary audiovisual cultures.

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Produktdetaljer
Sprog: Engelsk
Sider: 256
ISBN-13: 9798765109861
Indbinding: Hardback
Udgave:
ISBN-10: 8765109864
Kategori: Filmproduktion: teknik og tekniske discipliner
Udg. Dato: 6 feb 2025
Længde: 20mm
Bredde: 156mm
Højde: 232mm
Forlag: Bloomsbury Publishing USA
Oplagsdato: 6 feb 2025
Forfatter(e):
Forfatter(e)

Kategori Filmproduktion: teknik og tekniske discipliner

ISBN-13 9798765109861

Sprog Engelsk

Indbinding Hardback

Sider 256

Udgave

Længde 20mm

Bredde 156mm

Højde 232mm

Udg. Dato 6 feb 2025

Oplagsdato 6 feb 2025

Forlag Bloomsbury Publishing USA

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