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Art and Optics in the Hereford Map

- An English Mappa Mundi, c. 1300
Af: Marcia Kupfer Engelsk Hardback

Art and Optics in the Hereford Map

- An English Mappa Mundi, c. 1300
Af: Marcia Kupfer Engelsk Hardback
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A single, monumental mappa mundi (world map), made around 1300 for Hereford Cathedral, survives intact from the Middle Ages. As Marcia Kupfer reveals in her arresting new study, this celebrated testament to medieval learning has long been profoundly misunderstood. Features of the colored and gilded map that baffle modern expectations are typically dismissed as the product of careless execution. Kupfer argues that they should rightly be seen as part of the map’s encoded commentary on the nature of vision itself. Optical conceits and perspectival games formed part of the map’s language of vision, were central to its commission, and shaped its display, formal design, and allegorical fabric. These discoveries compel a sweeping revision of the artwork’s intellectual and art-historical genealogy, as well as its function and aesthetic significance, shedding new light on the impact of scientific discourses in late medieval art. Published for the Paul Mellon Centre for Studies in British Art
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A single, monumental mappa mundi (world map), made around 1300 for Hereford Cathedral, survives intact from the Middle Ages. As Marcia Kupfer reveals in her arresting new study, this celebrated testament to medieval learning has long been profoundly misunderstood. Features of the colored and gilded map that baffle modern expectations are typically dismissed as the product of careless execution. Kupfer argues that they should rightly be seen as part of the map’s encoded commentary on the nature of vision itself. Optical conceits and perspectival games formed part of the map’s language of vision, were central to its commission, and shaped its display, formal design, and allegorical fabric. These discoveries compel a sweeping revision of the artwork’s intellectual and art-historical genealogy, as well as its function and aesthetic significance, shedding new light on the impact of scientific discourses in late medieval art. Published for the Paul Mellon Centre for Studies in British Art
Produktdetaljer
Sprog: Engelsk
Sider: 240
ISBN-13: 9780300220339
Indbinding: Hardback
Udgave:
ISBN-10: 0300220332
Kategori: Kunsthistorie
Udg. Dato: 4 okt 2016
Længde: 22mm
Bredde: 288mm
Højde: 230mm
Forlag: Yale University Press
Oplagsdato: 4 okt 2016
Forfatter(e): Marcia Kupfer
Forfatter(e) Marcia Kupfer


Kategori Kunsthistorie


ISBN-13 9780300220339


Sprog Engelsk


Indbinding Hardback


Sider 240


Udgave


Længde 22mm


Bredde 288mm


Højde 230mm


Udg. Dato 4 okt 2016


Oplagsdato 4 okt 2016


Forlag Yale University Press

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