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  3. Filmhistorie, teori & kritik

Cinema under National Reconstruction

- State Censorship and South Korea's Cold War Film Culture
Af: Hye Seung Chung Engelsk Hardback

Cinema under National Reconstruction

- State Censorship and South Korea's Cold War Film Culture
Af: Hye Seung Chung Engelsk Hardback
Tjek vores konkurrenters priser
Cinema under National Reconstruction calls for a revisionist understanding of state film censorship during successive Cold War military regimes in South Korea (1961–1988). Drawing upon primary documents from the Korean Film Archive’s digitized database and framing South Korean film censorship from a transnational perspective, Hye Seung Chung makes the case that, while political oppression/repression existed inside and outside the film industry during this period, film censorship was not simply a tool for authoritarian dictatorship. Through such case studies as Yu Hyun-mok’s The Stray Bullet (1961), Ha Kil-jong’s The March of the Fools (1975), and Yi Chang-ho’s Declaration of Fools (1983), the author defines censorship as a dialogical process of cultural negotiations wherein the state, the film industry, and the public fight out a battle over the definitions and functions of national cinema. In the context of Cold War Korea, one cannot fully understand or construct film history without reassessing censorship as a productive feedback system where both state regulators and filmmakers played active roles in shaping the new narrative or sentiment of the nation on the big screen.
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Cinema under National Reconstruction calls for a revisionist understanding of state film censorship during successive Cold War military regimes in South Korea (1961–1988). Drawing upon primary documents from the Korean Film Archive’s digitized database and framing South Korean film censorship from a transnational perspective, Hye Seung Chung makes the case that, while political oppression/repression existed inside and outside the film industry during this period, film censorship was not simply a tool for authoritarian dictatorship. Through such case studies as Yu Hyun-mok’s The Stray Bullet (1961), Ha Kil-jong’s The March of the Fools (1975), and Yi Chang-ho’s Declaration of Fools (1983), the author defines censorship as a dialogical process of cultural negotiations wherein the state, the film industry, and the public fight out a battle over the definitions and functions of national cinema. In the context of Cold War Korea, one cannot fully understand or construct film history without reassessing censorship as a productive feedback system where both state regulators and filmmakers played active roles in shaping the new narrative or sentiment of the nation on the big screen.
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Se mere i:
Produktdetaljer
Sprog: Engelsk
Sider: 252
ISBN-13: 9781978838727
Indbinding: Hardback
Udgave:
ISBN-10: 1978838727
Kategori: Filmhistorie, teori & kritik
Udg. Dato: 15 nov 2024
Længde: 20mm
Bredde: 156mm
Højde: 235mm
Forlag: Rutgers University Press
Oplagsdato: 15 nov 2024
Forfatter(e): Hye Seung Chung
Forfatter(e) Hye Seung Chung

Kategori Filmhistorie, teori & kritik

ISBN-13 9781978838727

Sprog Engelsk

Indbinding Hardback

Sider 252

Udgave

Længde 20mm

Bredde 156mm

Højde 235mm

Udg. Dato 15 nov 2024

Oplagsdato 15 nov 2024

Forlag Rutgers University Press

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