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  2. Film og biografer
  3. Filmhistorie, teori & kritik

Eight and a Half (Otto e mezzo)

Af: D. A. Miller Engelsk Paperback

Eight and a Half (Otto e mezzo)

Af: D. A. Miller Engelsk Paperback
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Federico Fellini''s masterpiece 8 1/2 (Otto e mezzo) shocked audiences around the world when it was released in 1963 by its sheer auteurist gall. The hero, a film director named Guido Anselmi, seemed to be Fellini''s mirror image, and the story to reflect the making of 8 1/2 itself. Whether attacked for self-indulgence or extolled for self-consciousness, 8 1/2 became the paradigm of personal filmmaking, and numerous directors, including Fassbinder, Truffaut, Scorsese, Bob Fosse and Bruce LaBruce, paid homage to the film and its themes of personal and creative ennui in their own work.
Now that 8 1/2''s conceit is less shocking, D.A. Miller argues, we can see more clearly how tentative, even timid, Fellini''s ground-breaking incarnation always was. Guido is a perfect blank, or is trying his best to seem one. By his own admission he doesn''t even have an artistic or social statement to offer: ''I have nothing to say, but I want to say it anyway.'' 8 1/2''s deepest commitment is not to this man (who is never quite ''all there'') or to his message (which is lacking entirely) but to its own flamboyant manner. The enduring timeliness of 8 1/2 lies, Miller suggests, in its aggressive shirking of the shame that falls on the man – and the artist – who fails his appointed social responsibilities.

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Federico Fellini''s masterpiece 8 1/2 (Otto e mezzo) shocked audiences around the world when it was released in 1963 by its sheer auteurist gall. The hero, a film director named Guido Anselmi, seemed to be Fellini''s mirror image, and the story to reflect the making of 8 1/2 itself. Whether attacked for self-indulgence or extolled for self-consciousness, 8 1/2 became the paradigm of personal filmmaking, and numerous directors, including Fassbinder, Truffaut, Scorsese, Bob Fosse and Bruce LaBruce, paid homage to the film and its themes of personal and creative ennui in their own work.
Now that 8 1/2''s conceit is less shocking, D.A. Miller argues, we can see more clearly how tentative, even timid, Fellini''s ground-breaking incarnation always was. Guido is a perfect blank, or is trying his best to seem one. By his own admission he doesn''t even have an artistic or social statement to offer: ''I have nothing to say, but I want to say it anyway.'' 8 1/2''s deepest commitment is not to this man (who is never quite ''all there'') or to his message (which is lacking entirely) but to its own flamboyant manner. The enduring timeliness of 8 1/2 lies, Miller suggests, in its aggressive shirking of the shame that falls on the man – and the artist – who fails his appointed social responsibilities.

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Produktdetaljer
Sprog: Engelsk
Sider: 128
ISBN-13: 9781839024733
Indbinding: Paperback
Udgave: 2
ISBN-10: 1839024739
Kategori: Filmhistorie, teori & kritik
Udg. Dato: 24 mar 2022
Længde: 10mm
Bredde: 190mm
Højde: 136mm
Forlag: Bloomsbury Publishing PLC
Oplagsdato: 24 mar 2022
Forfatter(e): D. A. Miller
Forfatter(e) D. A. Miller

Kategori Filmhistorie, teori & kritik

ISBN-13 9781839024733

Sprog Engelsk

Indbinding Paperback

Sider 128

Udgave 2

Længde 10mm

Bredde 190mm

Højde 136mm

Udg. Dato 24 mar 2022

Oplagsdato 24 mar 2022

Forlag Bloomsbury Publishing PLC

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