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  2. Teater
  3. Teater: instruktion og produktion

Enter the Undead Author

- Intellectual Property, the Ideology of Authorship, and Performance Practices since the 1960s
Af: George Pate Engelsk Hardback

Enter the Undead Author

- Intellectual Property, the Ideology of Authorship, and Performance Practices since the 1960s
Af: George Pate Engelsk Hardback
Tjek vores konkurrenters priser
Many narratives of theater history suggest that the 1960s marked the start of a turning away from traditional, script-based, playwright-centric production practices. Literary studies in this period began exploring the concept of the “death of the author” along similar lines. But the author refused to die quietly, and authorship reasserts itself in even revolutionary and avant-garde theaters throughout the latter half of the twentieth century. The model of authorship—valorizing individuality, ownership, and originality—serves to maintain traditional modes of production that reproduce and uphold dominant ideologies even when the products created by those modes of production claim to buck tradition or run counter to cultural currents. This ideology of authorship plays a part in playwrights shutting down productions of their own plays, in the privileging of individual authorship over joint authorship even in collaborative genres, and in the insistence on originality even in performance traditions rooted in a shared repertoire. This tension between the theoretical death of the author and the growth of actual authors’ abilities to control access to and even in some cases interpretations of their work exposes the deftness with which dominant ideologies and their attendant modes of production can repurpose the aesthetics of even countercultural or revolutionary movements in theater.
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Many narratives of theater history suggest that the 1960s marked the start of a turning away from traditional, script-based, playwright-centric production practices. Literary studies in this period began exploring the concept of the “death of the author” along similar lines. But the author refused to die quietly, and authorship reasserts itself in even revolutionary and avant-garde theaters throughout the latter half of the twentieth century. The model of authorship—valorizing individuality, ownership, and originality—serves to maintain traditional modes of production that reproduce and uphold dominant ideologies even when the products created by those modes of production claim to buck tradition or run counter to cultural currents. This ideology of authorship plays a part in playwrights shutting down productions of their own plays, in the privileging of individual authorship over joint authorship even in collaborative genres, and in the insistence on originality even in performance traditions rooted in a shared repertoire. This tension between the theoretical death of the author and the growth of actual authors’ abilities to control access to and even in some cases interpretations of their work exposes the deftness with which dominant ideologies and their attendant modes of production can repurpose the aesthetics of even countercultural or revolutionary movements in theater.
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Produktdetaljer
Sprog: Engelsk
Sider: 172
ISBN-13: 9781683931584
Indbinding: Hardback
Udgave:
ISBN-10: 1683931580
Kategori: Teater: instruktion og produktion
Udg. Dato: 13 mar 2019
Længde: 19mm
Bredde: 160mm
Højde: 230mm
Forlag: Fairleigh Dickinson University Press
Oplagsdato: 13 mar 2019
Forfatter(e): George Pate
Forfatter(e) George Pate

Kategori Teater: instruktion og produktion

ISBN-13 9781683931584

Sprog Engelsk

Indbinding Hardback

Sider 172

Udgave

Længde 19mm

Bredde 160mm

Højde 230mm

Udg. Dato 13 mar 2019

Oplagsdato 13 mar 2019

Forlag Fairleigh Dickinson University Press

Kategori sammenhænge