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  2. Film og biografer
  3. Filmhistorie, teori & kritik

Letter from an Unknown Woman

Af: James Naremore Engelsk Paperback

Letter from an Unknown Woman

Af: James Naremore Engelsk Paperback
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James Naremore''s study of Max Ophuls'' classic 1948 melodrama, Letter from an Unknown Woman, not only pays tribute to Ophuls but also discusses the backgrounds and typical styles of the film’s many contributors--among them Viennese author Stephan Zweig, whose 1922 novella was the source of the picture; producer John Houseman, an ally of Ophuls who nevertheless made questionable changes to what Ophuls had shot; screenwriter Howard Koch; music composer Daniéle Amfitheatrof; designers Alexander Golitzen and Travis Banton; and leading actors Joan Fontaine and Louis Jourdan, whose performances were central to the film’s emotional effect.

Naremore also traces the film''s reception history, from its middling box office success and mixed early reviews, exploring why it has been a work of exceptional interest to subsequent generations of both aesthetic critics and feminist theorists.

Lastly, Naremore provides an in-depth critical appreciation of the film, offering nuanced appreciation of specific details of mise-en-scene, camera movement, design, sound, and performances, integrating this close analyses into an overarching analysis of Letter’s “recognition plot;” a trope in which the recognition of a character’s identity creates dramatic intensity or crisis. Naremore argues that Letter''s use of recognition is one of the most powerful in Hollywood cinema, and contrasts it with what we find in Zweig''s novella.

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James Naremore''s study of Max Ophuls'' classic 1948 melodrama, Letter from an Unknown Woman, not only pays tribute to Ophuls but also discusses the backgrounds and typical styles of the film’s many contributors--among them Viennese author Stephan Zweig, whose 1922 novella was the source of the picture; producer John Houseman, an ally of Ophuls who nevertheless made questionable changes to what Ophuls had shot; screenwriter Howard Koch; music composer Daniéle Amfitheatrof; designers Alexander Golitzen and Travis Banton; and leading actors Joan Fontaine and Louis Jourdan, whose performances were central to the film’s emotional effect.

Naremore also traces the film''s reception history, from its middling box office success and mixed early reviews, exploring why it has been a work of exceptional interest to subsequent generations of both aesthetic critics and feminist theorists.

Lastly, Naremore provides an in-depth critical appreciation of the film, offering nuanced appreciation of specific details of mise-en-scene, camera movement, design, sound, and performances, integrating this close analyses into an overarching analysis of Letter’s “recognition plot;” a trope in which the recognition of a character’s identity creates dramatic intensity or crisis. Naremore argues that Letter''s use of recognition is one of the most powerful in Hollywood cinema, and contrasts it with what we find in Zweig''s novella.

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Produktdetaljer
Sprog: Engelsk
Sider: 104
ISBN-13: 9781839022340
Indbinding: Paperback
Udgave:
ISBN-10: 1839022345
Kategori: Filmhistorie, teori & kritik
Udg. Dato: 25 mar 2021
Længde: 10mm
Bredde: 191mm
Højde: 134mm
Forlag: Bloomsbury Publishing PLC
Oplagsdato: 25 mar 2021
Forfatter(e): James Naremore
Forfatter(e) James Naremore

Kategori Filmhistorie, teori & kritik

ISBN-13 9781839022340

Sprog Engelsk

Indbinding Paperback

Sider 104

Udgave

Længde 10mm

Bredde 191mm

Højde 134mm

Udg. Dato 25 mar 2021

Oplagsdato 25 mar 2021

Forlag Bloomsbury Publishing PLC

Kategori sammenhænge