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  3. Filmhistorie, teori & kritik

Picnic at Hanging Rock

Af: Anna Backman Rogers Engelsk Paperback

Picnic at Hanging Rock

Af: Anna Backman Rogers Engelsk Paperback
Tjek vores konkurrenters priser

Peter Weir''s haunting and allusive Picnic at Hanging Rock (1975), set in 1900, tells the story of the mysterious disappearance of three schoolgirls and their teacher on a trip to a local geological formation. The film is widely hailed as a classic of new Australian cinema, seen as exemplary of a peculiarly Australian style of heritage filmmaking.

Anna Backman Rogers'' study considers Picnic from feminist, psychoanalytic and decolonialising perspectives, exploring its setting in a colonised Australian bushland in which the Aboriginal people are a spectral presence in a landscape stolen from them in pursuit of the white man''s ''terra nullius''. She delves into the film''s production history, addressing director Weir''s influences and preoccupations at the time of its making, its reception and its lasting impact on visual culture more broadly. Rogers addresses the film''s treatment of the young schoolgirls and their teachers, seemingly, as embodiments of an archetype of the ‘eternal feminine’, as objects of the male gaze, and in terms of ideas about female hysteria as a protest against gender norms. She argues that Picnic is, in fact, highly subversive: a film that requires its viewers to read its seductive surfaces against the grain of the image in order to uncover its psychological depths.

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Fragt: 39 kr
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Peter Weir''s haunting and allusive Picnic at Hanging Rock (1975), set in 1900, tells the story of the mysterious disappearance of three schoolgirls and their teacher on a trip to a local geological formation. The film is widely hailed as a classic of new Australian cinema, seen as exemplary of a peculiarly Australian style of heritage filmmaking.

Anna Backman Rogers'' study considers Picnic from feminist, psychoanalytic and decolonialising perspectives, exploring its setting in a colonised Australian bushland in which the Aboriginal people are a spectral presence in a landscape stolen from them in pursuit of the white man''s ''terra nullius''. She delves into the film''s production history, addressing director Weir''s influences and preoccupations at the time of its making, its reception and its lasting impact on visual culture more broadly. Rogers addresses the film''s treatment of the young schoolgirls and their teachers, seemingly, as embodiments of an archetype of the ‘eternal feminine’, as objects of the male gaze, and in terms of ideas about female hysteria as a protest against gender norms. She argues that Picnic is, in fact, highly subversive: a film that requires its viewers to read its seductive surfaces against the grain of the image in order to uncover its psychological depths.

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Produktdetaljer
Sprog: Engelsk
Sider: 104
ISBN-13: 9781839023354
Indbinding: Paperback
Udgave:
ISBN-10: 183902335X
Kategori: Filmhistorie, teori & kritik
Udg. Dato: 6 okt 2022
Længde: 10mm
Bredde: 190mm
Højde: 136mm
Forlag: Bloomsbury Publishing PLC
Oplagsdato: 6 okt 2022
Forfatter(e): Anna Backman Rogers
Forfatter(e) Anna Backman Rogers

Kategori Filmhistorie, teori & kritik

ISBN-13 9781839023354

Sprog Engelsk

Indbinding Paperback

Sider 104

Udgave

Længde 10mm

Bredde 190mm

Højde 136mm

Udg. Dato 6 okt 2022

Oplagsdato 6 okt 2022

Forlag Bloomsbury Publishing PLC

Kategori sammenhænge