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  3. Kulturstudier: mode og samfund

The Cinema of Sofia Coppola

- Fashion, Culture, Celebrity
Af: Professor Suzanne Ferriss Engelsk Paperback

The Cinema of Sofia Coppola

- Fashion, Culture, Celebrity
Af: Professor Suzanne Ferriss Engelsk Paperback
Tjek vores konkurrenters priser

The Cinema of Sofia Coppola provides the first comprehensive analysis of Coppola’s oeuvre that situates her work broadly in relation to contemporary artistic, social and cultural currents. Suzanne Ferriss considers the central role of fashion - in its various manifestations - to Coppola’s films, exploring fashion’s primacy in every cinematic dimension: in film narrative; production, costume and sound design; cinematography; marketing, distribution and auteur branding. She also explores the theme of celebrity, including Coppola’s own director-star persona, and argues that Coppola’s auteur status rests on an original and distinct visual style, derived from the filmmaker’s complex engagement with photography and painting.

Ferriss analyzes each of Coppola’s six films, categorizing them in two groups: films where fashion commands attention (Marie Antoinette, The Beguiled and The Bling Ring) and those where clothing and material goods do not stand out ostentatiously, but are essential in establishing characters’ identities and relationships (The Virgin Suicides, Lost in Translation and Somewhere). Throughout, Ferriss draws on approaches from scholarship on fashion, film, visual culture, art history, celebrity and material culture to capture the complexities of Coppola’s engagement with fashion, culture and celebrity. The Cinema of Sofia Coppola is beautifully illustrated with color images from her films, as well as artworks and advertising artefacts.

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The Cinema of Sofia Coppola provides the first comprehensive analysis of Coppola’s oeuvre that situates her work broadly in relation to contemporary artistic, social and cultural currents. Suzanne Ferriss considers the central role of fashion - in its various manifestations - to Coppola’s films, exploring fashion’s primacy in every cinematic dimension: in film narrative; production, costume and sound design; cinematography; marketing, distribution and auteur branding. She also explores the theme of celebrity, including Coppola’s own director-star persona, and argues that Coppola’s auteur status rests on an original and distinct visual style, derived from the filmmaker’s complex engagement with photography and painting.

Ferriss analyzes each of Coppola’s six films, categorizing them in two groups: films where fashion commands attention (Marie Antoinette, The Beguiled and The Bling Ring) and those where clothing and material goods do not stand out ostentatiously, but are essential in establishing characters’ identities and relationships (The Virgin Suicides, Lost in Translation and Somewhere). Throughout, Ferriss draws on approaches from scholarship on fashion, film, visual culture, art history, celebrity and material culture to capture the complexities of Coppola’s engagement with fashion, culture and celebrity. The Cinema of Sofia Coppola is beautifully illustrated with color images from her films, as well as artworks and advertising artefacts.

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Se mere i:
Produktdetaljer
Sprog: Engelsk
Sider: 304
ISBN-13: 9781350178076
Indbinding: Paperback
Udgave:
ISBN-10: 1350178071
Kategori: Kulturstudier: mode og samfund
Udg. Dato: 25 feb 2021
Længde: 21mm
Bredde: 233mm
Højde: 156mm
Forlag: Bloomsbury Publishing PLC
Oplagsdato: 25 feb 2021
Forfatter(e): Professor Suzanne Ferriss
Forfatter(e) Professor Suzanne Ferriss

Kategori Kulturstudier: mode og samfund

ISBN-13 9781350178076

Sprog Engelsk

Indbinding Paperback

Sider 304

Udgave

Længde 21mm

Bredde 233mm

Højde 156mm

Udg. Dato 25 feb 2021

Oplagsdato 25 feb 2021

Forlag Bloomsbury Publishing PLC

Kategori sammenhænge