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Aesthetic Evaluation and Film

Af: Andrew Klevan Engelsk Hardback

Aesthetic Evaluation and Film

Af: Andrew Klevan Engelsk Hardback
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This is the first book in the English language to present an in-depth, holistic examination of evaluative aesthetics and criticism as they apply to film. Organised around the explanation of key concepts, it illuminates connections between the work of philosophers, theorists, and critics, and demonstrates the evaluation of form through a close analysis of film sequences.

The book’s central argument is that aesthetic evaluation should be flexibly informed by a cluster of concerns including medium, convention, prominence, pattern, and relation. Rather than privileging a particular theory or film style, it advocates and models a type of approach, attention, process, and discourse. This method is particularly effective for evaluating films from different places, periods, and genres, ensuring that the book will be a central text in the field for years to come.

Aesthetic evaluation and film is suitable for students of films studies and philosophical aesthetics at both undergraduate and postgraduate levels, and provides a framework for academics researching or teaching in the area. At the same time, the crisp and lucid style will make the book accessible to a wider readership.

Andrew Klevan is Associate Professor in Film Studies at the University of Oxford. He is the author of Barbara Stanwyck (2013), Film Performance: From Achievement to Appreciation (2005) and Disclosure of the Everyday: Undramatic Achievement in Narrative Film (1999).

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This is the first book in the English language to present an in-depth, holistic examination of evaluative aesthetics and criticism as they apply to film. Organised around the explanation of key concepts, it illuminates connections between the work of philosophers, theorists, and critics, and demonstrates the evaluation of form through a close analysis of film sequences.

The book’s central argument is that aesthetic evaluation should be flexibly informed by a cluster of concerns including medium, convention, prominence, pattern, and relation. Rather than privileging a particular theory or film style, it advocates and models a type of approach, attention, process, and discourse. This method is particularly effective for evaluating films from different places, periods, and genres, ensuring that the book will be a central text in the field for years to come.

Aesthetic evaluation and film is suitable for students of films studies and philosophical aesthetics at both undergraduate and postgraduate levels, and provides a framework for academics researching or teaching in the area. At the same time, the crisp and lucid style will make the book accessible to a wider readership.

Andrew Klevan is Associate Professor in Film Studies at the University of Oxford. He is the author of Barbara Stanwyck (2013), Film Performance: From Achievement to Appreciation (2005) and Disclosure of the Everyday: Undramatic Achievement in Narrative Film (1999).

Produktdetaljer
Sprog: Engelsk
Sider: 256
ISBN-13: 9781784991241
Indbinding: Hardback
Udgave:
ISBN-10: 1784991244
Udg. Dato: 14 sep 2018
Længde: 16mm
Bredde: 138mm
Højde: 216mm
Forlag: Manchester University Press
Oplagsdato: 14 sep 2018
Forfatter(e): Andrew Klevan
Forfatter(e) Andrew Klevan


Kategori Filmhistorie, teori & kritik


ISBN-13 9781784991241


Sprog Engelsk


Indbinding Hardback


Sider 256


Udgave


Længde 16mm


Bredde 138mm


Højde 216mm


Udg. Dato 14 sep 2018


Oplagsdato 14 sep 2018


Forlag Manchester University Press

Kategori sammenhænge