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Chinese Animated Film and Ideology

- Tradition, Innovation, and Interculturality
Af: Olga Bobrowska Engelsk Hardback

Chinese Animated Film and Ideology

- Tradition, Innovation, and Interculturality
Af: Olga Bobrowska Engelsk Hardback
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This book presents a contextualized overview of the history of Chinese animated film, pointing out the most influential self-definitions of Chinese culture employed in animation art of Mao Zedong’s rule (1949–1976) but largely focusing on the representation strategies created in the times of reforms and opening-up under Deng Xiaoping (1978–1989/1992).

Deeply grounded in cultural studies, the book employs an interdisciplinary approach, interlacing the reflection with the perspectives of political science, film studies, and film festival studies. It focuses on phenomena anchored to the paradigms of nationalization, reform, and internationalization: among them, nuanced understanding of the minzu (national) category (including the classic style of Chinese animation); invention of wash-and-ink painting animation (shuimo donghua); renewal of film theory and animated film language; soft power and cultural diplomacy; and regular access and co-creation of the international industry (festival distribution).

This book will be of great interest to those in the fields of animation studies, film studies, political science, Chinese area studies, and Chinese philology.

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This book presents a contextualized overview of the history of Chinese animated film, pointing out the most influential self-definitions of Chinese culture employed in animation art of Mao Zedong’s rule (1949–1976) but largely focusing on the representation strategies created in the times of reforms and opening-up under Deng Xiaoping (1978–1989/1992).

Deeply grounded in cultural studies, the book employs an interdisciplinary approach, interlacing the reflection with the perspectives of political science, film studies, and film festival studies. It focuses on phenomena anchored to the paradigms of nationalization, reform, and internationalization: among them, nuanced understanding of the minzu (national) category (including the classic style of Chinese animation); invention of wash-and-ink painting animation (shuimo donghua); renewal of film theory and animated film language; soft power and cultural diplomacy; and regular access and co-creation of the international industry (festival distribution).

This book will be of great interest to those in the fields of animation studies, film studies, political science, Chinese area studies, and Chinese philology.

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Se mere i:
Produktdetaljer
Sprog: Engelsk
Sider: 180
ISBN-13: 9781032197647
Indbinding: Hardback
Udgave:
ISBN-10: 1032197641
Kategori: Film og biografer
Udg. Dato: 11 dec 2023
Længde: 19mm
Bredde: 224mm
Højde: 144mm
Forlag: Taylor & Francis Ltd
Oplagsdato: 11 dec 2023
Forfatter(e): Olga Bobrowska
Forfatter(e) Olga Bobrowska

Kategori Film og biografer

ISBN-13 9781032197647

Sprog Engelsk

Indbinding Hardback

Sider 180

Udgave

Længde 19mm

Bredde 224mm

Højde 144mm

Udg. Dato 11 dec 2023

Oplagsdato 11 dec 2023

Forlag Taylor & Francis Ltd

Kategori sammenhænge